I’ve been struck by how Hannah Altman frames her subjects in soft, directional light that feels almost reverential. Each tableau unfolds like a quiet ritual, with careful symmetry and muted tones that invite contemplation.
Her Kavana series, in particular, uses shadow and texture to evoke memory with poetic precision.
Until next time,
Tomasz
Very interesting work, she looks at her world through a well calibrated lens. Thanks for posting her.