Cian Oba‑Smith’s images—rooted in tender realism and fueled by communities often overlooked—speak with both poetic clarity and profound empathy, gently urging us to see stories where others might look past.
Strong work.
Until next time,
Tomasz
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It looks like he is using a Leica M6 to shoot. From that, the film's aesthetic and a nice sense of primitivism emerge.